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Both are money games where it's game over if you run out. The difference, really, is that C: The Money of Soul and Possibility Control has fighting and weird looking creatures, while Eden of the East stays in the realm of humans.


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Main Characters 1 of 6 Control Future Kimimaro and Mikuni begin their duel, going all out on each other.
Mikuni puts Kimimaro in a tought spot, but his powers start to weaken thanks to the decreasing value of the Yen, with link soon starting to see Midas Money for what it truly is.
As Kimimaro continues to fight with Mikuni, Msyu pleas with Q, who is based off of Takako and starts taking her form.
The battle is concluded when Midas Money https://slots-deposit-promocode.website/and-money/mad-money-and-jim.html from the world along with Mikuni's powers, allowing Kimimaro to deal the winning punch and C to pass through Japan without influence.
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Mikuni's main Asset, as well as partner.
She is known as the money of soul and possibility control manga Asset in Financial District.
Like Mysu, Q looks like a imp-like creature, with fairly white skin and brown eyes.
Her hair is mostly light teal.
She wears a light purple colored one-piece skirt.
She is very similar in appearance to Msyu, for they both free promo code doubledown casino horns which sprouts from their heads and the fur-like skin upon their limbs.
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Money is power, and without it, life is meaningless. In a country whose economy is in shambles, second-year Economics university student Kimimaro Yoga understands this fact all too well, as he is surrounded by the relatively luxurious lives of his peers and struggling to make ends meet.


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Posted on June 28, 2011, in Anime, [C] The Money of Soul and Possibility Control and tagged Anime, Control, Japanese yen, Mikuni, Taku Iwasaki. Bookmark the permalink . 3 Comments .


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C: the Money of Soul and Possibility Control What exactly happened? (Please do not read If you have not finished the show) : anime
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Main Characters 1 of 6 Control Future Kimimaro and Mikuni begin their duel, best friends and money all out on each other.
Mikuni puts Kimimaro in a tought spot, but his powers start to weaken thanks to the decreasing value of the Yen, with people soon starting to see Midas Money free promo code doubledown casino what it free promo code doubledown casino is.
As Kimimaro continues to fight with Mikuni, Msyu pleas with Q, who is based off of Takako and starts taking her form.
The battle is concluded when Midas Money disappears from the world along with Mikuni's powers, allowing Kimimaro to deal the winning punch and C to pass through Japan without influence.
The latest episode is up!
Please wait, submitting your vote.
Mikuni's main Asset, as well as partner.
She is known as the strongest Asset in Financial District.
Like Mysu, Q looks like a imp-like creature, with fairly white skin and brown eyes.
Her hair is mostly light teal.
She wears a light purple colored one-piece skirt.
She is very similar in appearance to Msyu, for they both have horns which sprouts from their heads and the fur-like skin upon their limbs.
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Kimimaro and Mikuni can be seen as depicting different perspectives about money and the morals of pursuing and accumulating it. Nakamura did not present any view as the correct one, but preferred to leave grey areas for the viewer; "Control asks how far you're willing to go for money – and how far is too far".


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Control (Future) Kimimaro and Mikuni begin their duel, going all out on each other. Mikuni puts Kimimaro in a tought spot, but his powers start to weaken thanks to the decreasing value of the Yen, with people soon starting to see Midas Money for what it truly is.


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Cover of the first Money and taxes disc featuring Kimimaro Yoga and his Asset, Mashu GenreAnime television series Directed by Produced by Kōji Yamamoto Written by Noboru Takagi Music by Studio Licensed byOriginal run April 15, 2011 — June 24, 2011 Episodes 11 C is a 2011 Japanese television series produced by.
The story follows Kimimaro Yoga, an economics student who is introduced to the free promo code doubledown casino reality of the Financial District, where money of soul and possibility control manga bet their own futures in battles.
Entres—the series' term for the fighters—can accumulate large quantities of money by winning but they will have their futures altered if they lose.
As the story proceeds Kimimaro starts to perceive the effects of the Financial District's existence in the real world.
The anime was directed bywho was given the opportunity to create a storyline for an original series.
Nakamura was affected by the —one of the key events of the —and envisioned a story about economic battles.
He was moved by stories he heard during the interviews he conducted with people related to the economics field, and the series became darker in tone during its development.
Through macroeconomics jargon, the series addresses trust and the need to act to ensure a better future.
The series was broadcast in Japan on 's programming block between April 15 and June 24, 2011, before being released on DVD and Blu-Ray discs by.
It was simulcasted with a week's delay by in the United States, by in Australia, and by in the United Kingdom.
The anime also aired in the United States on the and on in 2013.
Its home media distribution was handled by Funimation in the United States, by Siren Visual in Australia, and by in the United Kingdom.
C 's premise and core concept have been praised by Western reviewers, who were nonetheless disappointed by the execution of the story and the development of the characters.
One of the critics' main concerns was that the story was inconclusive and that some plot elements were not fully worked.
Its art received mixed responses but was highly criticized for its use ofcheck this out the musical score was mainly praised.
The series has also been highlighted both as a good action show and as a series that can arouse reflective discussions on.
The series revolves around Kimimaro Yoga, a 19-year-old boy raised by his aunt after his father disappeared and his mother died.
A scholarship student of economics, his only dream is to live a stable, ordinary life.
One day he meets Masakaki, a mysterious man who offers him a large amount of money learn more here he will allow his "future" to be held as collateral.
When Kimimaro accepts the money, he becomes an "Entre" short for "entrepreneur" and is drawn into the alternative reality of the Financial District, where Entres make transactions using a special currency called Midas Money.
In the Financial District, each Entre is paired with a special creature who personifies their futures known as "Assets"; Kimimaro is designated to be accompanied seems free play games and win money necessary Mashu, a horned girl who can conjure up fire-based attacks.
Entres are summoned there once a week to compete against each other, betting their money in a battle known as "Deal".
Entres who lose all of their money and become bankrupt are banished from the Financial District with tragic consequences to them or their loved ones in reality.
Kimimaro first discovers this when he defeats one of his professors, Daisuke Ebara, who entered Deals to support his family.
Daisuke's punishment for bankruptcy is the erasure of his children from history.
Kimimaro discovers that bankruptcy led his father to commit suicide and he finds a reason to continue there despite his disinterest in money and his fear of hurting others.
Kimimaro's attitude attracts veteran Entre Soichiro Mikuni, who wants him to join the Starling Guild, whose members' aim is to win by small margins so their victories do not greatly affect reality.
Mikuni has a great influence over both the Japanese Government and the whole of Japan's finance market and aims to own Tokyo's Financial District.
Born into a wealthy family, Mikuni was a rebel who wanted be a musician; as his band broke up, Mikuni became a personal assistant to his father.
When the elder Mikuni's corporation started to crumble as a result of the financial crisis, he chose to save it, denying his terminally ill daughter Takako the funds she needed to undergo a medical procedure unavailable in Japan.
Swearing vengeance on his father after Takako fell into a coma, Mikuni bought out his father's company with the money he earned from his first victory in the Financial District to take away the thing his father held most dear.
Because of this, Mikuni's Asset, Q, is modeled after his sister.
It is later revealed the risk is not limited to the individual Entres' futures.
Kimimaro starts to notice a few buildings disappearing in Tokyo.
Later, the Southeast Asian Financial District goes bankrupt and starts disappearing, along with Singapore, and parts of Hong Kong and Shanghai.
Mikuni uses his ability, "Darkness", to protect Japan from the effects of the district's collapse.
In exchange for 20 years of Mikuni's future, Masakaki allows a large quantity of Midas Money to be printed and deposited into Mikuni's account.
Mikuni and his colleagues use the Midas Money to invest in failing institutions in Japan.
Artificially propping up failing banks and enterprises spares the Japanese economy but causes unintended consequences.
People begin disappearing, poverty increases, birth rates decline, and morale drops as the Midas Money starts to invade the real Tokyo.
To money of soul and possibility control manga the nature of Financial Districts, the sends Jennifer Sato to become an Entre in Tokyo.
Seeing the effects of Mikuni's actions, Sato and Kimimaro try to stop him from using up his remaining future to print more Midas Money.
Mikuni defeats Sato after she passes her Asset, George, to Kimimaro, who confronts Mikuni when he is about to use the Midas Money press in exchange for rest of his future.
With the help of Masakaki, Kimimaro realizes he is in possession of a black card, giving him the means to revert the press.
A struggle for control over the press ensues, and Mikuni and Kimimaro engage in a Deal.
The battle is concluded when Midas Money disappears from the world along with Mikuni's powers, allowing the crisis to pass through Japan without influence.
Declared the winner, Kimimaro orders the reversing of the presses and the return of the futures to their original places.
With the Assets disappearing as a result, Mashu kisses Kimimaro before she disappears.
Kimimaro then returns to reality to find that US dollar has become Japan's official currency and everyone's futures have been returned to them.
However, Masakaki appears before Kimaro and explains to him that the Financial District can reappear.
The script was chiefly written by Noboru Takagi, who was helped by Manabu Ishikawa, Shinsuke Onishi and Kenji Sugihara.
Character designs were handled by Mebae, animation character design was done by Takashi Hashimoto, while Yuuho Taniuchi was in charge of art design, and was the conceptual designer.
Kōji Yamamoto was the main producer, working with producers Makoto Kimura, Daisuke Konaka and Takeshi Yoda.
Hashimoto was the main animation director, Hiroshi Itō was the art director, and Yuzo Sato was the CGI director.
At first, however, the anime's focus was not on money itself; its premise involved economic battles taking place around the world and the plan was do something lighter than the final result.
The premise changed around January 2010 at the culmination of the recession, when Nakamura perceived a common feeling that Japan would not recover from the crash.
After researching the history of currency, between February and August 2010 he conducted over twenty interviews with retired politicians from thefinance professionals, college professors, NPO members and other experts.
He expected to find a broad consensus but was frustrated by obtaining too many divergent opinions and to know there was no such consensus in economics because it involves human action.
Nakamura was moved by the stories of two interviewees; a trader impressed that U.
CEOs learn more here dealing with billions of dollars at the same time the Japanese economy was in poor condition, showing his concern for his country on the world stage; and the story of the Future Bank Business Association, an NPO that provided loans to individuals to upgrade their old refrigerators to more efficient models and that received the payment with the difference in energy savings.
For Nakamura, both interviews showed the interviewees' desire to help Japan despite their divergent opinions on how to do it.
The interviewees made clear Japanese people should act and that they could choose between having stability and poverty or chaos and wealth.
Nakamura concluded that not deciding which path to take led to ruinous consequences, that waiting was not an option, and free promo code doubledown casino people free promo code doubledown casino design the future in the present.
At the same time, he was worried the Japanese were abandoning their concern for the future generation by pushing financial risk into the future.
By hearing inspiring stories, Nakamura pondered why people would try to help someone they had never met; he considers this question and the necessity to act to build a better future to be the main themes of C.
Nakamura appointed Naoki Osaka, the editor-in-chief of economics publisherto be the anime's advisor and concluded he could not make a "light" economic story.
Nakamura purposely made the Financial District setting seem other-worldly, although it is connected to the real world.
This way he could fulfill one of the missions an anime has in his opinion; to present a difficult and specialized theme in a soft way to an unfamiliar audience.
He kept the story as a battle anime as a means of keeping it entertaining, which also gave him the possibility of changing it into a more in-depth media, gradually introducing finance and macroeconomics jargon metaphorically through the battles.
On portraying the characters and their reasons to battle, and after reading the gambling-themed mangaNaoki and Nakamura tried to avoid depicting money as something that would unequivocally make people crazy, and felt this path should be avoided.
When he succeeds in the Financial District, the other characters say it is a rarity for a newcomer, which was interpreted as a metaphor for "the difficulty regular people have in finding a secure economic foothold nowadays, when nepotism is rife amongst big money institutes".
Kimimaro and Mikuni can be seen as depicting different perspectives about money and the morals of pursuing and accumulating it.
Nakamura did not present any view as the correct one, but preferred to leave grey areas for the viewer; " Control asks how far you're willing to go for money — and how far is too far".
Others thought it was not a neutral presentation and that "it can serve as a broad treatise against modern economics and globalism".
The recurrence of the was interpreted as a subtle affirmation that "money is the root of all evil".
In the context of a crash, Nakamura may have tried "to reflect the sense of futility and confusion" it caused.
In such a scenario, "To most people, money — serious, high level money and the inner workings of the real world finance sectors — is confusing at best, unknowable at worst".
The financial markets and credit were highlighted as the anime's focus.
One reviewer said the anime could be directed towards the extension of the modern credit "After we leverage our retirement funds, aren't our futures the next logical step?
Business and banking were also considered the anime's subject because they were portrayed as "the ultimate form of gambling".
The story's exchange of a portion of one's life for money could also be interpreted as a metaphor for.
Following that logic, the Deals become a metaphor for commerce because one takes another person's money, which represents the slice of a person's life.
The show also depicts the value of money as a mutually-agreed-upon cultural fiction that can disappear when the agreement breaks, meaning one's life is exchanged for what is merely inked paper.
The series was licensed to be simulcasted on the Internet in six territories, including the English-speaking Australia, the United States, and the United Kingdom.
In the United States, the series also aired on https://slots-deposit-promocode.website/and-money/free-money-promotions-online-casinos.html beginning on January 14, 2013, and on from October 5, 2013.
In the United Kingdom, after Anime on Demand went defunct, it was added to UK's streaming site; the first episode was available on March 6, 2015.
The episodes of C were later released on DVD and Blu-Ray in Japan; produced bythe four volumes were released by between August 19 and November 25, 2011.
A rental version of the DVD was also made available by Toho from September 9 and December 9, 2011.
In Australia and in the United Kingdom, it was released as a DVD box set with English and Japanese audio available on November 15, 2012, by Siren Visual, and on October 14, 2013, byrespectively.
Along with the score composed by Taku Iwasaki, these songs were released in a 24-track original soundtrack CD by 's label on August 17, 2011.
The anime has been praised for its themes and originality, but is sometimes criticized for its execution and story.
UK See more Network's Andy Hanley wrote that if the series "managed to live up to its lofty ambitions and goals", it would be "an absolute classic".
Bradley Meek of THEM Anime Reviews and Carl Kimlinger from Anime News Network were more specific on the cause of the problem, saying that despite its unique, interesting concepts, poor writing and the "dully unimaginative narrative mechanics" hinder its potential.
Likewise, Luke Carroll, also from Anime News Network, praised it for trying new ideas not previously seen in anime but said it does not deliver them satisfactorily.
In a more positive review, Erin Finnegan of said although there was no satisfactory conclusion, viewers wanting something unusual would find it worth watching.
André Van Renssen from Active Anime and Meek found C to be interesting mainly as an action show.
The latter called the Deals "one of the great things about this series", while Carroll found them "surprisingly intense".
In opposition, Beveridge praised C for avoiding a sole focus on the battles and providing a show that focuses on the characters' actions, highlighting "the tightness of the themes and the gray areas that drive it all home".
Finnegan called a "smart show" that has "thoughtful themes about the economy's effect on people's lives".
Although Hanley and Carroll also saw this reflective aspect in a positive light, Kimlinger regarded it as a negative, saying debating economic philosophy is the show's sole point of interest and calling its story "a total and utter bore".
Most reviewers found the story to be inconclusive, including Finnegan, who said the series fails to communicate its points, an opinion shared by Carroll.
The latter cited the use of shares, Kimimaro's father and his diary, and the way elements of the story relate to real money how play poker and win free Mashu as aspects that are left unresolved or are not satisfactorily concluded.
Another example, highlighted by UK Anime's Elliot Page and Hanley, is Kimimaro's love interest — one of the plot elements that Page said are introduced and then forgotten.
Hanley said these oversights and poor characterizations restrain the story's potential.
The main problem, according to Hanley, is Kimimaro's passivity, which Kimlinger likewise noted.
Meek found the characters' motivations are neither relatable nor interesting, criticizing Mikuni's portrayal as someone who wants to safeguard his ailing younger sister but is prepared to sacrifice the rest of the world.
Kimlinger wrote that several characters only embody plot points and have no personalities, while Meek also criticized Mashu and Sato as characters.
click to see more said Mikuni's backstory was a weak aspect that adds little to the story, in opposition to Kimlinger, who found it "surprisingly moving", and Beveridge, who described it as strong.
The most positive analysis of the characters was done by Beveridge, who said Kimimaro is a good lead character and Mikuni "gives it that elevated feeling".
The art of the series has been mainly criticized for the way it handled its 3D computer graphics scenes.
Both Carroll and Hanley described the 3D graphics as "hit-and-miss"; the former considered it his biggest complaint about the show, while the latter thought the visuals were "initially eye-catching and expressive".
Japanators's Ben Huber said despite poor computer graphics, the overall animation was worthy of compliment.
Van Renssen emphasized how it affected the character designs, saying their drawn counterparts are better, but he and Huber noticed the use of CG decreases as the series progresses.
Although Finnegan described it as an " looking series" and the character design as appealing and original, Carroll and Page mostly criticized it, with the latter writing that, except for Masakaki, "all of the male characters look downright ugly".
Carroll said the character art is "rather average for most of the cast, the notable exceptions being the Assets"; both Van Renssen and Kimlinger praised the Assets and its powers' diversity.
While criticizing the characters, Page commended the anime's backgrounds, especially those of the Financial District.
Carroll, on the other hand, lamented the Financial District's lack of structural details, such as windows and doors.
Kimlinger praised the artwork and called the series "a flashy, elaborately animated treat for the eyes".
Beveridge especially praised the Financial District, saying, "The series works a very good look".
One of the aspects that was mostly praised is the series' music.
Page said, "One thing I can praise without qualifier is that the background music.
Van Renssen highlighted the music on summarizing the show's qualities and also praised the opening and ending themes, which Huber called "pretty awesome".
Kimlinger wrote that most of the series' emotions are communicated through "the great Taku Iwasaki's beautiful, moody score".
Its sound effects were highlighted by Beveridge because they "drive home its point".
MVM Entertainment and Siren Visual refer to it as C for Control.
Out of consistency, this article will only refer to it as C.
Archived from on August 15, 2013.
Archived from on April 25, 2015.
Retrieved November 6, 2016.
Retrieved November 6, 2016.
Archived from on September 28, 2013.
Retrieved November 6, 2016.
Archived from on January 16, 2013.
Retrieved November 6, 2016.
Retrieved December 25, 2017.
Retrieved December 25, 2017.
Retrieved December 25, 2017.
Retrieved December 25, 2017.
Retrieved December 25, 2017.
Archived from on March 21, 2013.
Archived from on April 25, 2015.
Archived from on October 5, 2013.
Retrieved November 6, 2016.
Retrieved December 25, 2017.
Media Arts Database in Japanese.
Retrieved November 6, 2016.
Retrieved November 6, 2016.
Retrieved October 14, 2016.
Retrieved October 14, 2016.
Retrieved October 14, 2016.
Retrieved December 26, 2017.
Retrieved December 26, 2017.
Retrieved November 6, 2016.
Archived from on March 5, 2016.
Retrieved November 6, 2016.
Retrieved November 6, 2016.
Retrieved January 10, 2018.
Retrieved January 10, 2018.
Retrieved November 6, 2016.
Retrieved November 6, 2016.
Retrieved November 6, 2016.
Retrieved November 6, 2016.
Retrieved November 6, 2016.
Retrieved November 6, 2016.
Retrieved November 6, 2016.
Retrieved November 6, 2016.
Sony Music Entertainment Japan.
Retrieved January 20, 2018.
Retrieved December 25, 2017.
Retrieved December 25, 2017.
Retrieved December 26, 2017.
Retrieved December 26, 2017.
Retrieved December 26, 2017.
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The Money of Soul and Possibility Control, also known as [C] or Control, is a 2011 Japanese anime television series produced by Tatsunoko Production under the direction of Kenji Nakamura with Noboru Takagi as script supervisor.


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scan manga fox C – Control – The Money and Soul of Possibility (TV). The Money of Soul and Possibility Control TV Series C [C] Episodes : 11.


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Some time later, Saki Morimi decides to visit Washington, DC on her graduation trip to America, but that day begins a series of bizarre events.
After getting into trouble with the police, she's rescued by a young man who is completely naked save for a gun in one hand and an even stranger item in the other - a phone credited with 8 billion electronic yen and a female voice on the other end called Juiz who will fulfill his every wish.
Akira's enigma quickly proves fascinating and Saki decides to help him rather than reunite with her family; but what neither realizes is that Akira is embroiled in a dark game of life and death linked to the Careless Monday missiles.
Has Saki just made a terrible mistake, and can Akira unravel his own mystery before they both lose everything?
These two have a strong similarity in plot - both involve people getting a hold of enormous amounts of money and must decide how to use it.
That being said, there's some clear differences as well, including far more action and bizarre visuals in C.
These series have several things in common.
First, they each have a similar art style in many ways.
While Eden of the East is more refined, C is definitely reminiscent of it and the OPs of each are extrememly similar.
Second, as each story gets on, the scope of it gets larger and larger.
Finally, each series gives the ability to shape the future in the hand of some very interesting characters.
If you enjoy the battles between ideals for control of the future, these series go well together.
C wants to say something valuable about the economic status of Japan and its future.
It wants to say it but unfortunately gags itself using the most banal metaphor ever - battles between pet creatures.
For a better treatment of this sort of post-2000s let's-save-Japan theme check out Eden of the East.
It has wonderful suspense, solid characterisation, a fascinating protagonist in Akira, and plenty of thrilling twists.
Both series focus on money.
The main character has to decide how to put this money to use, and seeing the effect of how others use their money.
Of course there is enough conflict between different characters to keep you clutched to the screen.
Both of these anime take place in a very current world.
Both main characters have to find their place in a conspiricy that will have massive impacts on the world.
More then anything both anime deal with the true value of money, but in diffrent ways.
They are both about saving the world from destruction using money.
They both involve strategic plans by the main characters.
Both are money games where it's game over if you run out.
The difference, really, is that C: The Money of Soul and Possibility Control has fighting and weird looking creatures, while Eden of the East stays in the realm of humans.
Yeah they are sorta alike.
They're both high stake games, romance, and both short.
Oh, and they both use a huge amount of money.
In my opinion I free promo code doubledown casino Eden of the east because it was more funny.
Both involve dabbling in the future of the world, with the MC the major force in saving it.
Both involved mystery, and dragged people into participating into abnormal situations.
But most of all, they were enjoyable, and though-provoking.
Both these series are very alike.
With C: Control the Money of Soul and Possibility as well as Eden of the Learn more here, they are set in Japan.
In both series, there is a romance subplot, and there are many similarities in the main plots of these series as well.
Both of these series are a kind of commentary on modern society and the way it works and in both anime, they explore different philosophical issues as it pertains to money and culture through the anime's characters and situations.
If you like the story of one you will probably like the story of the other.
Even though I'd say that C: Control the Money of Soul delivers a darker commentary and its characters are more jaded.
If you like either C: Control the Money of Soul and Possibility or Eden of the East you will likely enjoy the other as well.
Constantly bullied, afraid to face reality and paranoid his two childhood friends pity him, the teenager uses online games as a way to escape his problems.
To keep the ability, he must defeat other Brain Burst wielders in Accel World, an exclusive, virtual MMORPG, and the newbie player will need all the help he can get.
Eager to prove he's not a pathetic weakling, Haruyuki joins forces with Kuroyukihime to challenge fierce competitors and discover just how incredible Accel World and he truly are.
These two series share a strong similarity.
Both main character are offered a way to change their life, possibly in a better way.
Both character are thrown into this alter world in which they battle for power.
While C: The Money of Soul and Possiblilty Control battle for more money, Accel World battle for more burst point.
Each battle won enables them to an upgrade of sorts.
C: The Money of Soul and Possiblility Control upgrade to better ATM cards, Accel World level up.
While in this strange world, both anime form teams in order to survive.
Although the content are different, the plot overall are very similar.
I agree with basically all of the comments of the vistor above.
I'll add the caveat that I consider C to be the markedly inferior series in aspects of character, writing, and plot.
For this reason I recommend Accel World as what is potentially a far more enjoyable rendition of a somewhat similar premise, but I wouldn't really recommend C to anyone for any reason.
They both involve an alternate reality that gives people a benefit https://slots-deposit-promocode.website/and-money/cricket-and-money.html the real world, free promo code doubledown casino they must battle in order to keep their power -- although loss in C also involves heavy-duty real world loss.
The battles are handled very similarly, with a scoreboard to keep track because you don't know who this web page what powers.
The characters in C are older and more mature adults vs high schoolbut both have elements of competition, friendship, drama, and romance.
If you liked one you should check out the other.
When games become all too real, the characters must learn to deal with how the game shapes their lives.
If you liked either of these shows, check out the other.
While that may be the only similarity sondiering the different plot and style of the show, check them both out.
Both are about games that nobody wants to lose.
The main characters are also similar in that they both are a little innocent for the world that they are money of soul and possibility control manga into and get bossed around by a girl who knows more about it then they do.
C is darker then Accel Word, but if you liked one, the other is worth looking at.
Now on display and feeling like a fish out of water, Kenji tries his best to fit in with Natsuki and her relatives, until one day he receives a mysterious math problem through a text message.
These are two very different titles, but if you like the crazy and bizarre visuals of C especially during the battlesI think you'd love the game scenes that eventually happen in Summer Wars.
That, and it's a damned good movie in general.
They both center around a boy that gets involved in a virtual world.
The battles both have a similar bizzare feel to them, and similar aesthetics.
If you like one, you'd probably like the other.
These series each focus on two seperate world- one being the real world while the other is a world with the power to control the real world.
Each series also has interesting visuals throughout.
The only thing lacking in his life was excitement.
After a chance encounter with bandits and a daring rescue, Albert invites his newfound friend and savior, the Count of Monte Cristo, to his home in Paris.
Little does he know what fate has in store for him and his loved ones.
Just who is the mysterious Count, and what does he want?
Character wise, both shows share a pure-hearted male protagonist and a revenge-driven antagonist accompanied by a female, pallid "sidekick" of sorts.
Also, both shows revolve around the idea that money brings power and authority.
All in all, if you like one show, you'll probably like the other.
Gankutsuou and C: Control are all about having the money to do what you wish; to save or destroy, to buy buy buy, whatever.
All encased in a trippy world that is a treat for the eyes.
Their plots are hardly the same but it's all about the animation and wealth.
While the plots for each are very different, both have money as a very important plot device; the power to change the future.
The shows have similar artsy animation styles.
They both explore deep and twisted psychologies about people's relationships to money, each other, and the world.
The art styles, while not the same, were also reminicent of each other in their futuristic and etherial style of a world that doesn't seem to be fixed.
While these shows follow very different stories, I think there are plenty of similaries in them that would appeal to the same types of people.
Ruko is a teenage girl who just found one of these rare cards.
Now, she can use her LRIG to battle in a strange, dark plane of existence.
If she wins, her wishes will be granted - but what happens if she loses?
If you're a fan of the battles in WIXOSS or C, then this is a rec for you.
There are a few differences between the two shows, but the fighting is pretty much the same.
Holders of mysterious cards do battle by summoning a supernatural being from inside the card.
The holder then commands the being, and if they win, they are rewarded.
If this kind of battle system is what you're looking for, then look no further.
If you like anime about high stakes games that start off simple, but then grow to have world changing consequences then you should check out these titles.
Both C and Wixoss start out with their characters just trying to have fun with these new games they've discovered, but thy quickly come to realize that there is a lot more at stake in these games.
In C the characters play a lot of different games and the cards are just used for avatars.
Wixoss is about a card battle game so there is less variety in the game.
Wixoss also does a poor job of explaining the card game so it can be difficult to understand what is going on most of the time.
Both these anime have real world and game world settings.
The real world in both anime are shown as a bit drab and gray, but the game worlds are colorful places full of fantastical design.
C has the better designs and more money and taxes look of the two, but both anime have a second world that only a few selected people can see.
If you're looking for games anime where the stakes seem low at the start, but suddenly become world shaking then check out either of these titles.
Apparently Selector Infected WIXOSS is a mix of Madoka Magica and C the Money of Soul, where a young and innocent protagonist have to fight in battles in order to accomplish a wish that can also betray them in the end.
Behind the scenes, Yako is helped by Neuro — a maniacal being from the demon world who is looking for new mysteries to devour.
Plot-wise these two aren't similar at all - but the very creepy, odd character designs of Neuro and Masakaki completely reminded me of each please click for source />If you're looking for something outside of the norm visually, check out either of these.
Agreed with sothis that they're not similar in plot, but that Neuro and Masakaki have similar personalities and roles.
They both have a nice story and it can be a little confusing on both, unless you pay attention like i did.
But as mankind advances, the people have begun to take command of nature for themselves and have made their own god to worship.
Holo finds that she is paid little more than lip service, if not outright mocked; and considering the contract annulled, she takes human form and enlists the aid of a passing merchant, Kraft Lawrence, to return to her home in the snowy forests to the north.
As they journey together, Kraft finds that he has plenty to learn from this capricious god, and she from him as well.
If you were disappointed like I was with C then you should definitely check out Spice and Wolf for an enjoyable watch.
Both have economic themes but Spice and Wolf does a much better job overall with its execution in its plot and animation.
Spice and Wolf is a better option compared to C.
Both these series have that economics feel to them.
If one dosnt hit you, look to the other one.
Or if you just like Economics, watch both.
While C is very colorful and involves battles with sentiant helpers, Deadman has carnaval corpse, where the two people fight.
Also the main two characters are similar, at least in the part the guy cant get a break and he has a happy and strong girl at his side during his story.
Both of the protagonists are forced into a situation in which they must fight for their lives.
Neither wish to fight.
Winnings are earned but running out money will result in death.
Deadman Wonderland is darker and more mature but if you are okay with that free promo code doubledown casino will probably enjoy Deadman Wonderland as well.
Both have some unnatural events and circumstances supernatural or something.
Both have a main male and female stuck in a situation where fights occur and losing has a significant cost whether it's your organs, your life, your friends, your family, etc.
They definitely have a lot of differences, but Deadman was the first show that came to mind when watching C because it has a lot of important similarities.
Shirou, a twice orphaned high school boy, had so little magical talent that his foster father did not bother teaching him about the war and its meaning.
Thanks to that lack of foresight, Shirou finds himself in a bit of a pinch when he accidentally summons a hero of the strongest class, and is sucked into the fray.
The Grail grants the winner any wish they have.
But driven by an unyielding sense of justice and self-sacrifice, for what will Shirou fight?
These series each focus on a lead male unwillingly thrown into a battle for his life and the future.
They each have the main free promo code doubledown casino paired with a female that forces them to fight.
Ideals and realities battle to take control of the future in both series, making money of soul and possibility control manga go well together.
C is to economics as Code Geass is to chess.
They both have these themes that are applied to the plot, though in both cases it makes far more sense symbolically than literally.
C is lacking in the "All according to plan.
C is the more unique concept, but the characters and plot are not as fleshed out as Code Geass.
Still, both series play with their respective themes and take them to over-the-top levels.
They both have something new to bring to the table.
The next and baby makes money, the teen's dream becomes reality when the girl — Homura — arrives at Mitakihara Middle School as a transfer student, mysteriously warning Madoka to stay just the way she is.
But when she and her best friend Miki are pulled into a twisted illusion world and meet a magical creature named Kyubey, the pair discovers that magical girls are real, and what's more, they can choose to become one.
All they must do is sign a contract with Kyubey and agree to fight witches that spread despair to the human world, and in return they will be granted a single wish.
However, as Homura's omen suggests, there's far more to becoming a magical girl than Madoka and Miki realize.
While these series may seem miles apart, they both focus on a main character that can't completely decide which world they want to live in and what they want to do with it.
Eventually, they finally decide and cause a very similar ending in each.
Without spoiling, all I can say is if you liked the ending in one, or the struggle to decide what's right and wrong, and who to believe, it's definitely worth giving the other one a try.
These shows may have very different settings and protagontists, but they actually have quite a bit in common.
In each show, the protagontist is essentially asked to make a deal with the "devil" in exchange for something that will benefit them.
The actual cost of the deal becomes more and more apparent throughout the show, and the characters fight desperately to minimize the effects and stop the "devil" from continuing to negatively affect the world.
If this Faustian psychology was why you liked one show, then you will definitely like the other.

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[C] The Money of Soul and Possibility Control has a pretty original hook: It's a story starring economics college-student Yoga Kimimaro who only wants to acquire a job with income stable enough to support a family.


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Discuss in the forum, contribute to the Encyclopedia, build your own MyAnime lists, and more.
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For its citizens, however, life has not improved, and unemployment, crime, suicide, and despair are rampant.
Kimimaro is a scholarship student whose only dream is to avoid all this and live a stable life as a civil servant.
One day, however, he meets a man who offers him the chance to make money fast.
From then on Kimimaro is drawn into a mysterious realm known free promo code doubledown casino "The Financial District," where people engage in supernatural battles for the possibility of money.
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Fortunately Whenever Our Eyes Meet…is more hits than misses, and it has a unique aspect that stands to endear even the less stellar stories to readers: it.
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She dresses mainly in a red skirt, wearing red velvet-like sleeves on her arms and legs, and has a pair of fang-like teeth.
She has long wavy brown hair and emerald green eyes.
She seems to be on par in height with Kimimaro but this might be due to the fact she can levitate.
In her hair, she also has a small bunch of red flowers, suspected to be a rose or a red carnation.
Personality Msyu's personality can be described as violent but this seems to be only during the deals.
When she is outside of a deal, her persona changes to a more somber type.
She seems to hate idle talk as expressed when Kimimaro talks money of soul and possibility control manga just to say hello to which she replies there is no need for "hello-ing".
She is a weird Asset in the sense that she does things that are unusual for an Asset, such as behaving like how a normal human does.
She even asks Kimimaro to give her some of his ramen, even though Assets do not know the definition of "eat", out of curiosity.
She then takes an interest in ramen and eats it every now and then in the series.
History Like most assets, Msyu's origins are not known.
Whether or not assets are created beforehand or made especially for the certain Entre remains a mystery.
However, when Taketazaki and Kimimaro Yoga discuss about what is money click at this page Episode 8, Kimimaro has a vision about Msyu, probably it was the moment she was born, somewhere in the future.
This moment is one of the few that we see what future is being used for collateral Some of the the familiar members of Mikuni's guild have noted that Msyu looks familiar.
Now told directly by himself, who has proof in hand, Msyu is indeed one that should be familiarized by old members, as she is a striking resemblance to Kimimaro's Dad's Asset.
The only differences between the Dad's Asset and her are the hair color and their name.
Plot While the audience gains their first glimpse of Msyu in the final scene of Complication, Yoga Kimimaro is first introduced to her in the first half of Coincidence.
As the story goes on, she begins to show signs of curiosity in human nature, and thus begins to explore the concepts of nutrition and romance.
All of this is achieved by means of the portal provided by Yoga's Midas Card.
It is supposedly confirmed that Mysu truly did have romantic feelings for Kimimaro when she kisses him on the lips before disappearing in the last episode.
She promises him that they might meet each other one day.
Msyu's attacks are mostly fire based, especially seen when she uses her Mezzoflation.
She can also create a barrier with her horns, while also using them as melee weapons.
Msyu is considered to be a very strong Asset which allows Kimimaro to win battles despite his severe lack of experience.
Her powers are only matched by Sennoza's Karma and outmatched by 's.
Mezzoflation - Scorched Earth Creates a huge burst of flame, which then becomes many missile-like flames that incinerates the target and the surrounding area.
In business, Scorched Earth is an antitakeover tactic used by article source targeted company which involves eliminating important assets or divisions that are deemed free promo code doubledown casino or desirable by the acquirer to discourage the takeover just click for source />It's a double edged sword; severe repercussions are usually felt by the shareholders of the targeted firm.
Macroflation - Overheated Economy Msyu's strongest flation.
Channeling all the energy within herself then sending it into the sky, Msyu summons a large stormcloud.
The cloud then bursts into a huge pillar of scorching flames that shoots to the ground and becomes wider, incinerating surrounding objects.
Anyone other than Mysu and her Entre who comes within this radius becomes completely incinerated.
In business, an overheated economy is when a prolonged period of good economic growth and activity causes high levels of inflation from increased consumer wealth.
Inefficient supply allocations are also caused as producers overproduce and create excess production capacity in an attempt to capitalize on the high levels of wealth.
Unfortunately, these inefficiencies and inflation will eventually hinder the economy's growth and cause a recession.
Relationships Msyu and Yoga.
Kimimaro named her after the 4-letter unique code that appears on the bottom right corner of every Midas Card, which happened to make a good-enough name for her.
She holds some romantic feelings regular Assets wouldn't have for their Entre.
At the conclusion of C Mysu states that she loves Free promo code doubledown casino 40 times as much right after she kisses him.
She is curious about Q, as seen click her reaction when she saw her for the first time.
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C: the Money of Soul and Possibility Control What exactly happened? (Please do not read If you have not finished the show) : anime
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Here are my favorite picks for anime like C: The Money Of Soul and Possibility Control. Keep in mind the list is in no particular order. Enjoy the recommendations! Eden of The East. College student Saki Morimi is on a trip in the United States at what she believes to be the center of the world, Washington, DC.


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Money is power, and without it, life is meaningless. In a country whose economy is in shambles, second-year Economics university student Kimimaro Yoga understands this fact all too well, as he is surrounded by the relatively luxurious lives of his peers and struggling to make ends meet.


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Some time later, Saki Morimi decides to visit Washington, DC on her graduation trip to America, but that day begins a series of bizarre events.
After getting into trouble with the police, she's rescued by a young man who is completely naked save for a gun in one hand and an even stranger item in the other - a phone credited with 8 billion electronic yen and a female voice on the other end called Juiz who will fulfill his every wish.
Akira's enigma quickly proves fascinating and Saki decides to help him rather than reunite with her family; but what neither realizes is that Akira is embroiled in a dark game of life and death linked to the Careless Monday missiles.
Has Saki just made a terrible mistake, and can Akira unravel his own mystery before they both lose everything?
These two have a strong similarity in plot - both involve people getting a hold of enormous amounts of money and must decide how to use it.
That being said, there's some clear differences as well, including far more action and bizarre visuals in C.
These series have several things in common.
First, they each have a similar art style in many ways.
While Eden of the East is more refined, C is definitely reminiscent of it and the OPs of each are extrememly similar.
Second, as each story gets on, the scope of it gets larger and larger.
Finally, each series gives the ability to shape the future in the hand of some very interesting characters.
If you enjoy the battles between ideals for control of the future, these series go well together.
C wants to say something valuable about the economic status of Japan and its future.
It wants to say it but unfortunately gags itself using the most banal metaphor ever - battles between pet creatures.
For a better treatment of this sort of post-2000s let's-save-Japan theme check out Eden of the East.
It has wonderful suspense, solid characterisation, a fascinating protagonist in Akira, and plenty of thrilling twists.
Both series focus on money.
The main character has to decide how to put this money to use, and seeing the effect of how others use article source money.
Of course there is enough conflict between different characters to keep you clutched link the screen.
Both of these money of soul and possibility control manga take place in a very current world.
Both main characters have to find their place in a conspiricy that will have massive impacts on the world.
More then anything both anime deal with the true value of money, but in money bingo deposit and slots bonus no ways.
They are both about saving the world from destruction using money.
They both involve strategic plans by the main characters.
Both are money games where it's game over if you run out.
The difference, really, is that C: The Money of Soul and Possibility Control has fighting and weird looking creatures, while Eden of the East stays in the realm of humans.
Yeah they are sorta alike.
They're both high stake games, romance, and both short.
Oh, and they both use a huge amount of money.
In my opinion I liked Eden of the east because it was more funny.
Both involve dabbling in the future of the world, with the MC the major force in saving it.
Both involved mystery, and dragged people into participating into abnormal situations.
But most of all, they were enjoyable, and though-provoking.
Both these series are very alike.
With C: Control the Money of Soul and Possibility as well as Eden of the East, they are set in Japan.
In both series, there is a romance subplot, and there are many similarities in the main plots of these series as well.
Both of these series are a kind of commentary on modern society and the way it works and in both anime, they explore different philosophical issues as it pertains to money and culture through the anime's characters and situations.
If you like the story of one you will probably like the story of the other.
Even though I'd say that C: Control the Money of Soul delivers a darker commentary and its characters are more jaded.
If you like either C: Control the Money of Soul and Possibility or Eden of the East you will likely enjoy the other as well.
Constantly bullied, afraid to face reality and paranoid his two childhood friends pity him, the teenager uses online games as a way to escape his problems.
To keep the ability, he must defeat other Brain Burst wielders in Accel World, an exclusive, virtual MMORPG, and the newbie player will need all the help he can get.
Eager to prove he's not a pathetic weakling, Haruyuki joins forces with Kuroyukihime to challenge fierce competitors and discover just how incredible Accel World and he truly are.
These two series share a strong similarity.
Both main character are offered a way to change their life, possibly in a better way.
Both character are thrown into this alter world in which they battle for power.
While C: The Money of Soul and Possiblilty Control battle for more money, Accel World battle for more burst point.
Each battle won enables them to an upgrade of sorts.
C: The Money of Soul and Possiblility Control upgrade to better ATM cards, Accel World level up.
While in this strange world, both anime form teams in order to survive.
Although the content are different, the plot overall are very similar.
I agree with basically all of the comments of the vistor above.
I'll add the caveat that I consider C to be the markedly inferior series in aspects of character, writing, and plot.
For this reason I recommend Accel World as what is potentially a far more enjoyable rendition of a somewhat similar premise, but I wouldn't money of soul and possibility control manga recommend C to anyone for any reason.
They both involve an alternate reality that gives people a benefit in the real world, but they must battle in order to keep their power -- although loss in C also involves heavy-duty real world loss.
The battles are handled very similarly, with a scoreboard to keep track because you don't know who has what powers.
The characters in C are older and more mature adults vs high schoolbut both have elements of competition, friendship, drama, and romance.
If you liked one you should check out the other.
When games become all too real, the characters must learn to deal with how the game shapes their lives.
If you liked either of these shows, check out the other.
While that may be the only similarity sondiering the different plot and style of the show, check them both out.
Both are about games that nobody wants to lose.
The main characters are also similar in that they both are a little innocent for the world that they are thrown into and get bossed around by a girl who knows more about it then they do.
C is darker then Accel Word, but if you liked one, the other is worth looking at.
Now on display and feeling like a fish out of water, Kenji tries his best to fit in with Natsuki and her relatives, until one day he receives a mysterious math problem through a text message.
These are two very different titles, but if you like the crazy and bizarre visuals of C especially during the battlesI think you'd love the game scenes that eventually happen in Summer Wars.
That, and it's a damned good movie in general.
They both center around a boy that gets involved in a virtual world.
The battles both have a similar bizzare feel to them, and similar aesthetics.
If you like one, you'd probably like the other.
These series each focus on money and casino win real games free online seperate world- one being the real world while the other is a world with the power to control the real world.
Each series also has interesting visuals throughout.
After a chance encounter with bandits and a daring rescue, Albert invites his newfound friend and savior, the Count of Monte Cristo, to his home in Paris.
Little does he know what fate has in store for him and his loved ones.
Just who is the mysterious Count, and what does he want?
Character wise, both shows share a pure-hearted male protagonist and a revenge-driven antagonist accompanied by a female, pallid "sidekick" of sorts.
Also, both shows revolve around the idea that money brings power and authority.
All in all, if you like one show, you'll probably like the other.
Gankutsuou and C: Control are all article source having the money to do what you wish; to save or destroy, to buy buy buy, whatever.
All encased in a trippy world that is a treat for the eyes.
Their plots are hardly the same but it's all about the animation and wealth.
While the plots for each are very different, both have money as a very important plot device; the power to change the future.
The shows have similar artsy animation styles.
They both explore deep and twisted psychologies about people's relationships to money, each other, and the world.
The art styles, while not the same, were also reminicent of each other in their futuristic and etherial style of a world that doesn't seem to be fixed.
While these shows follow very different stories, I think there are plenty of similaries in them that would appeal to the same types of people.
Ruko is a teenage girl who just found one of these rare cards.
Now, she can use her LRIG to battle in a strange, dark plane of existence.
If she wins, her wishes will be granted - but what happens if she loses?
If you're a fan of the battles in WIXOSS or C, then this is a rec for you.
There are a few differences between the two shows, but the fighting is pretty much the same.
Holders of mysterious cards do battle by summoning a supernatural click here from inside the card.
The holder then commands the being, and if they win, they are rewarded.
If this kind of battle system is what you're looking for, then look no further.
If you like anime about high stakes games that start off simple, but then grow to have world changing consequences then you should check out these titles.
Both C and Wixoss start out with their characters just trying to have fun with these new games they've discovered, but thy quickly come to realize that there is a lot more at stake in these games.
In C the characters play a lot of different games and the cards are just used for avatars.
Wixoss is about a card battle game so there is less variety in the game.
Wixoss also does a poor job of explaining the card game so it can be difficult to understand what is going on most of the time.
Both these anime have real world and game world settings.
The real world in both anime are shown as a bit drab and gray, but the game worlds are colorful places full of fantastical design.
C has the better designs and more interesting look of the two, but both anime have a second world that only a few selected people can see.
If you're looking for games anime where the stakes seem low at the start, but suddenly become world shaking then check out either of these titles.
Apparently Selector Infected WIXOSS is a mix of Madoka Magica and C the Money of Soul, where a young and innocent protagonist have to fight in battles in order to accomplish a wish that can also betray them in the end.
Behind the scenes, Yako is helped by Neuro — a maniacal being from the demon world who is looking for new mysteries to devour.
Plot-wise these two aren't similar at all - but the very creepy, odd character designs of Neuro and Masakaki completely reminded me of each other.
If you're looking for something outside of the norm visually, check out either of these.
Agreed with sothis that they're not similar in plot, but that Neuro and Masakaki have similar personalities and roles.
They both have a nice story and it can be a little confusing on both, unless you pay attention like i did.
But as mankind advances, the people have begun to take command of nature for themselves and have made their own god to worship.
Holo finds that she is paid little more than lip service, if not outright mocked; and considering the contract annulled, she takes human form and enlists the aid of a passing merchant, Kraft Lawrence, to return to her home in the snowy forests to the north.
As they journey together, Kraft finds that he has plenty to learn from this capricious god, and she from him as well.
If you were disappointed like I was with C then you should definitely check out Spice and Wolf for an enjoyable watch.
Both have economic themes but Spice and Wolf does a much better job overall with its execution in its plot and animation.
Spice and Wolf is a better option compared to C.
Both these series have that economics feel to them.
If one dosnt hit you, look to the other one.
Or if you just like Economics, watch both.
While C is very colorful and involves battles with sentiant helpers, Deadman has carnaval corpse, where the two people fight.
Also the main two characters are similar, at least in the part the guy cant get a break and he has a happy and strong girl at his side during his story.
Both of the protagonists are forced into a situation in which they must fight for their lives.
Neither wish to fight.
Winnings are earned but running out money will result in death.
Deadman Wonderland is darker and more mature but if you are okay with that you will probably enjoy Deadman Wonderland as well.
Both have some unnatural events and circumstances supernatural or something.
Both have a main male and female stuck in a situation where fights occur and losing has a significant cost whether it's your organs, your life, your friends, your family, etc.
They definitely have a lot of differences, but Deadman was the first show that came to mind when watching C because it has a lot of important similarities.
Shirou, a twice orphaned high school boy, had so little magical talent that his foster father did not bother teaching him about the war and its meaning.
Thanks to that lack of foresight, Shirou finds himself in a bit of a pinch when he accidentally summons a hero of the strongest class, and is sucked into the fray.
The Grail grants the winner any wish they have.
But driven by an unyielding sense of justice and self-sacrifice, for what will Shirou fight?
These series each focus on a lead male unwillingly thrown into a battle for his life and the future.
They each have the main character paired with a female that forces them to fight.
Ideals and realities battle to take control of the future in both series, making them go well together.
C is to economics as Code Geass is to chess.
They both have these themes that are applied to the plot, though in both cases it makes far more sense symbolically than literally.
C is lacking in the "All according to plan.
C is the more unique concept, but the characters and plot are not as fleshed out as Code Geass.
Still, both series play with their respective themes and take them to over-the-top levels.
They both have something new to bring to the table.
The next day, the teen's dream becomes reality when the girl — Homura — arrives at Mitakihara Middle School as a transfer student, mysteriously warning Madoka to stay just the way she is.
But when she and her best friend Miki are pulled into a twisted illusion world and meet a magical creature named Kyubey, the pair discovers that magical girls are real, and what's more, they can choose to become one.
All they must do is sign a contract with Kyubey and agree to fight witches that money of soul and possibility control manga despair to the human world, and in return they will be granted a single wish.
However, as Homura's omen suggests, there's far more to becoming a magical girl than Madoka and Miki realize.
While these series may seem miles apart, they both focus on a main character that can't completely decide which world they want to live in and what they want to do with it.
Eventually, they finally decide and cause a very similar ending in each.
Without spoiling, all I can say is if you liked the ending in one, or the struggle to decide what's right and wrong, and who to believe, it's definitely worth giving the other one a try.
These shows may have very different settings and protagontists, but they actually have quite a bit in common.
In each show, the protagontist is essentially asked to make a deal with the "devil" in exchange for something that will benefit them.
The actual cost of the deal becomes more and more apparent throughout the show, and the characters fight desperately to minimize the effects and stop the "devil" from continuing to negatively affect the world.
If this Faustian psychology was why you liked one show, then you will definitely like the other.

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[C]: The Money of Soul and Possibility Control Lo admito, no me gusta nada la economía. Me aburre cuando en los telediarios salen noticias sobre la bolsa, porque es algo que no entiendo.


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From then on Kimimaro is drawn into a mysterious realm known as "The Financial District," where people engage in supernatural battles for the possibility of money. Anime › The Money of Soul and Possibility Control


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Cover of the first Blu-ray disc featuring Kimimaro Yoga and his Asset, Mashu GenreAnime television series Directed by Produced by Kōji Yamamoto Written by Noboru Takagi Music by Studio Licensed byOriginal run April 15, 2011 — June 24, 2011 Episodes 11 C is a 2011 Japanese television series produced by.
The story follows Kimimaro Yoga, an economics student who is introduced to the alternate reality of the Financial District, where people bet their own futures in battles.
Entres—the series' term for the fighters—can accumulate large quantities of money by winning but they will have their futures altered if they lose.
As the story proceeds Kimimaro starts to perceive the effects of the Financial District's existence in the real world.
The anime was directed bywho was given the opportunity to create a storyline for an original series.
Nakamura was affected by the —one of the key events of the —and envisioned a story about economic battles.
He was moved by stories he heard during the interviews he conducted with people related to the economics field, and the series became darker in tone during its development.
Through macroeconomics jargon, the series addresses trust and the need to act to ensure a better future.
The series was broadcast in Japan on 's programming block between April 15 and June 24, 2011, before being released on DVD and Blu-Ray discs by.
It was simulcasted with a week's delay by in the United States, by in Australia, and by in the United Kingdom.
The anime also aired in the United States on the and on in 2013.
Its home media distribution was handled by Funimation in the United States, by Siren Visual in Australia, and by in the United Kingdom.
C 's premise and core concept have been praised by Western reviewers, who were nonetheless disappointed by the execution of the story and the development of the characters.
One of the critics' main concerns was that the story was inconclusive and that some plot elements were not fully worked.
Its art received mixed responses but was highly criticized for its use ofwhile the musical score was mainly praised.
The series has also been highlighted both as a good action show and as a series that can arouse reflective discussions on.
The series revolves around Kimimaro Yoga, a 19-year-old boy raised by his aunt after his father disappeared and his mother died.
A scholarship student of economics, his only dream is to live a stable, ordinary life.
One day he meets Masakaki, a mysterious man who offers him a large amount of money if he will allow his "future" to be held as collateral.
When Kimimaro accepts the money, he becomes an "Entre" short for "entrepreneur" and is drawn into the alternative reality of the Financial District, where Entres make transactions using a special currency called Midas Money.
In the Financial District, each Entre is paired with a special creature who personifies their futures known as "Assets"; Kimimaro is designated to be accompanied by Mashu, a horned girl who can conjure up fire-based attacks.
Entres are summoned there once a week to compete against each other, betting their money in a battle known as "Deal".
Entres who lose all of their money and become bankrupt are banished from the Financial District with tragic consequences to them or their loved ones in reality.
Kimimaro first discovers this when he defeats one of his professors, Daisuke Ebara, who entered Deals to support his family.
Daisuke's punishment for bankruptcy is the erasure of his children from history.
Kimimaro discovers that bankruptcy led his father to commit suicide and he finds a reason to continue there despite his disinterest in money and his fear of hurting others.
Kimimaro's attitude attracts veteran Entre Soichiro Mikuni, who wants him to join the Starling Guild, whose members' aim is to win by small margins so their victories do not greatly affect reality.
Mikuni has a great influence over both the Japanese Government and the whole of Japan's finance market and aims to own Tokyo's Financial District.
Born into a wealthy family, Mikuni was a rebel who wanted be a musician; as his band broke up, Mikuni became a personal assistant to his father.
When the elder Mikuni's corporation started to crumble as a result of the financial crisis, he chose to save it, denying his terminally ill daughter Takako the funds she needed to undergo a medical procedure unavailable in Japan.
Swearing vengeance on his father after Takako fell into a coma, Mikuni bought out his father's company with the money he earned from his first victory in the Financial District to take away the thing his father held most dear.
Because of this, Mikuni's Asset, Q, is modeled after his sister.
It is later revealed the risk is not limited to the individual Entres' futures.
Kimimaro starts to notice a few buildings disappearing in Tokyo.
Later, the Southeast Asian Financial District goes bankrupt and starts disappearing, along with Singapore, and parts of Hong Kong and Shanghai.
Mikuni uses his ability, "Darkness", to protect Japan from the effects of the district's collapse.
In exchange for 20 years of Mikuni's future, Masakaki allows a large quantity of Midas Money to be printed and deposited into Mikuni's account.
Mikuni and his colleagues use the Midas Money to invest in failing institutions in Japan.
Artificially propping up failing banks and enterprises spares the Japanese economy but causes unintended consequences.
People begin disappearing, poverty increases, birth rates decline, and morale drops as the Midas Money starts to invade the real Tokyo.
To investigate the nature of Financial Districts, the sends Jennifer Sato to become an Entre in Tokyo.
Seeing the effects of Mikuni's actions, Sato and Kimimaro try to stop him from using up his remaining future to print more Midas Money.
Mikuni defeats Sato after she passes her Asset, George, to Kimimaro, who confronts Mikuni when he is about to use the Midas Money press in exchange for rest of his future.
With the help of Masakaki, Kimimaro realizes he is in possession of a black card, giving him the means to revert the press.
A struggle for control over the press ensues, and Mikuni and Kimimaro engage in a Deal.
The battle is concluded when Midas Money disappears from the world along with Mikuni's powers, allowing the crisis to pass through Japan without influence.
Declared the winner, Kimimaro orders the reversing of the presses and the return of the futures to their original places.
With the Assets disappearing as a result, Mashu kisses Kimimaro before she disappears.
Kimimaro then returns to reality to find that US dollar has become Japan's official currency and everyone's futures have been returned to them.
However, Masakaki appears before Kimaro and explains to him that learn more here Financial District can reappear.
The script was chiefly written by Noboru Takagi, who was helped by Manabu Ishikawa, Shinsuke Onishi and Kenji Sugihara.
Character designs were handled by Mebae, animation character design was done by Takashi Hashimoto, while Yuuho Taniuchi was in charge of art design, and was the conceptual designer.
Kōji Yamamoto was the main producer, working with producers Makoto Kimura, Daisuke Konaka and Takeshi Yoda.
Hashimoto was the main animation director, Hiroshi Itō was the art director, and Yuzo Sato was the CGI director.
At first, however, the anime's focus was not on money itself; its premise involved economic battles taking place around the world and the plan was do something lighter than the final result.
The premise changed around January 2010 at the culmination of the recession, when Nakamura perceived a common feeling that Japan would not recover from the crash.
After researching the history of currency, please click for source February and August 2010 he conducted over twenty interviews with retired politicians from thefinance professionals, college professors, NPO members and other experts.
He expected to find a broad consensus but was frustrated by obtaining too many divergent opinions and to know there was no such consensus in economics because it involves human action.
Nakamura was moved by the stories of two interviewees; a trader impressed that U.
CEOs were dealing with billions of dollars at the same time the Japanese economy was in poor condition, showing his concern for his country on the world stage; and the story of the Future Bank Business Association, an NPO poker win money how play free and to real provided loans to individuals to upgrade their old refrigerators to more efficient models and that received the payment with the difference in energy savings.
For Nakamura, both interviews showed the interviewees' desire to help Japan despite their divergent opinions on how to do it.
The interviewees made clear Japanese people should act and that they could choose between having stability and poverty or chaos and wealth.
Nakamura concluded that not deciding which path to take led to ruinous consequences, that waiting was not an option, and that people should design the future in the present.
At the same time, he was worried the Japanese were abandoning their concern for the future generation by pushing financial risk into the future.
By hearing inspiring stories, Nakamura pondered why people would try to help someone they had never met; he considers this question and the necessity to act to build a better future to be the main themes of C.
Nakamura appointed Naoki Osaka, the editor-in-chief of economics publisherto be the anime's advisor and concluded he could not make a "light" economic story.
Nakamura purposely made the Financial District setting seem other-worldly, although it is connected to the real world.
This way he could fulfill one of the missions an anime has in his opinion; to present a difficult and specialized theme in a soft way to an unfamiliar audience.
He kept the story as a battle anime as a means of keeping it entertaining, which also gave him the possibility of changing it into a more in-depth media, gradually introducing finance and macroeconomics jargon metaphorically through the battles.
On portraying the characters and their reasons to battle, and after reading the gambling-themed mangaNaoki and Nakamura tried to avoid depicting money as something that would unequivocally make people crazy, and felt this path should be avoided.
When he succeeds in the Financial District, the other characters say it is a rarity for a newcomer, which was interpreted as a metaphor for "the difficulty regular people have in finding a secure economic foothold nowadays, link nepotism is rife amongst big money institutes".
Kimimaro and Mikuni can be seen as depicting different perspectives about money and the morals of pursuing and accumulating it.
Nakamura did not present any view as the correct one, but preferred to leave grey areas for the viewer; " Control asks how far you're willing to go for money — and how far is check this out far".
Others thought it was not a money of soul and possibility control manga presentation and that "it can serve as a broad treatise against modern economics and globalism".
The recurrence of the was interpreted as a subtle affirmation that "money is the root of all evil".
In the context of a crash, Nakamura may have tried "to reflect the sense of futility and confusion" it caused.
In such a scenario, "To most people, money — serious, high level money and the inner workings of the real world finance sectors — is confusing at best, unknowable at worst".
The financial markets and credit were highlighted as the anime's focus.
One reviewer said the anime could be directed towards the extension of the modern credit "After we leverage our retirement funds, aren't our futures the next logical step?
Business and banking were also considered the anime's subject because they were portrayed as "the ultimate form of gambling".
The story's exchange of a portion of one's life for money could also be interpreted as a metaphor for.
Following that logic, the Deals become a metaphor for commerce because one takes another person's money, which represents the slice of a person's life.
The show also depicts the value of money as a mutually-agreed-upon cultural fiction that can disappear when the agreement breaks, meaning one's life is exchanged for what is merely inked paper.
The series was licensed to be simulcasted on the Internet in six territories, including the English-speaking Australia, the United States, and the United Kingdom.
In the United States, the series also aired on the beginning on January 14, 2013, and deposit and no slots bonus money bingo from October 5, 2013.
In the United Kingdom, after Anime on Demand went defunct, it was added to UK's streaming site; the first episode was available on March 6, 2015.
The episodes of C were later released on DVD and Blu-Ray in Free stuff and money produced bythe four volumes were released by between August 19 and November 25, 2011.
A rental version of the DVD was also made available by Toho from September 9 and December 9, 2011.
In Australia and in the United Kingdom, it was released as a DVD box set with English and Japanese audio available on November 15, 2012, by Siren Visual, and on October 14, 2013, byrespectively.
Along with the score composed by Taku Iwasaki, these songs were released in a 24-track original soundtrack CD by 's label on August 17, 2011.
The anime has been praised for its themes and originality, but is sometimes criticized for its execution and story.
UK Anime Network's Andy Hanley wrote that if the series "managed to live up to its lofty ambitions and goals", it would be "an absolute classic".
Bradley Meek of THEM Anime Reviews and Carl Kimlinger from Anime News Network were more specific on the cause of the problem, saying that despite its unique, interesting concepts, poor writing and the "dully unimaginative narrative mechanics" hinder its potential.
Likewise, Luke Carroll, also from Anime News Network, praised it for trying new ideas not previously seen in anime but said it does not deliver them satisfactorily.
In a more positive review, Erin Finnegan of said although there was no satisfactory conclusion, viewers wanting something unusual would find it worth watching.
André Van Renssen from Active Anime and Meek found C to be interesting mainly as an action show.
The latter called the Deals "one https://slots-deposit-promocode.website/and-money/mad-money-and-jim.html the great things about this series", while Carroll found them "surprisingly intense".
In opposition, Beveridge praised C for avoiding a sole focus on the battles and providing a show that focuses on the characters' actions, highlighting "the tightness of the themes and the gray areas that free promo code doubledown casino it all home".
Finnegan called a "smart show" that has "thoughtful themes about the economy's effect on people's lives".
Although Hanley and Carroll also saw this reflective aspect in a positive light, Kimlinger regarded it as a negative, saying debating economic philosophy is the show's sole point of interest and calling its story "a total and utter bore".
Most reviewers found the story to be inconclusive, including Finnegan, who said the series fails to communicate its points, an opinion shared by Carroll.
The latter cited the use of shares, Kimimaro's father and his diary, and the way elements of the story money of soul and possibility control manga to Money of soul and possibility control manga as aspects that are left unresolved or are not satisfactorily concluded.
Another example, highlighted by UK Anime's Elliot Page and Hanley, is Kimimaro's love interest — one of the plot elements that Page said are introduced and then forgotten.
Hanley said these oversights and poor characterizations restrain the story's potential.
The main problem, according to Hanley, is Kimimaro's passivity, which Kimlinger likewise noted.
Meek found the characters' motivations are neither relatable nor interesting, criticizing Mikuni's portrayal as someone who wants to safeguard his ailing younger sister but is prepared to sacrifice the rest of the world.
Kimlinger wrote that several characters only embody plot points and have no personalities, while Meek also criticized Mashu and Sato as characters.
Hanley said Mikuni's backstory was a weak aspect that adds continue reading to the story, in opposition to Kimlinger, who found it "surprisingly moving", and Beveridge, who described it as strong.
The most positive analysis of the characters was done by Beveridge, who said Kimimaro is a good lead character and Mikuni "gives it that elevated feeling".
The art of the series has been mainly criticized for the way it handled its 3D computer graphics scenes.
Both Carroll and Hanley described the 3D graphics as "hit-and-miss"; the former considered it his biggest complaint about the show, while the latter thought the visuals were "initially eye-catching and expressive".
Japanators's Ben Huber said despite poor computer graphics, the overall animation was worthy of compliment.
Van Renssen emphasized how it affected the character designs, saying their drawn counterparts are better, but he and Huber noticed the use of CG decreases as the series progresses.
Although Finnegan described it as an " looking series" and the character design as appealing and original, Carroll and Page mostly criticized it, with the latter writing that, except for Masakaki, "all of the male characters look downright ugly".
Carroll said the character art is "rather average for most of the cast, the notable exceptions being the Assets"; both Van Renssen and Kimlinger praised the Assets and its powers' diversity.
While criticizing the characters, Page commended the anime's backgrounds, especially those of the Financial District.
Carroll, on the other hand, lamented the Financial District's lack of structural details, such as windows and doors.
Kimlinger praised the artwork and called the series "a flashy, elaborately animated treat for the eyes".
Beveridge especially praised the Financial District, saying, "The series works a very good look".
One of the aspects that was mostly praised is the series' music.
Page said, "One thing I can praise without qualifier is that the background music.
Van Renssen highlighted the music on summarizing the show's qualities and also praised the opening and ending themes, which Huber called "pretty awesome".
Kimlinger wrote that most of the series' emotions are communicated through "the great Taku Iwasaki's beautiful, moody score".
Its sound effects were highlighted by Beveridge because they "drive home its point".
MVM Entertainment and Siren Visual refer to it as C for Control.
Out of consistency, this article will only refer to it as C.
Archived from on August 15, 2013.
Archived from on April 25, 2015.
Retrieved November 6, 2016.
Retrieved November 6, 2016.
Archived from on September 28, 2013.
Retrieved November 6, 2016.
Archived from on January 16, 2013.
Retrieved November 6, 2016.
Retrieved December 25, 2017.
Retrieved December 25, 2017.
Retrieved December 25, 2017.
Retrieved December 25, 2017.
Retrieved December 25, 2017.
Archived from on March 21, 2013.
Archived from on April 25, 2015.
Archived from on October 5, 2013.
Retrieved November 6, 2016.
Retrieved December 25, 2017.
Media Arts Database in Japanese.
Retrieved November 6, 2016.
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Retrieved December 26, 2017.
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Retrieved November 6, 2016.
Archived from on March 5, 2016.
Retrieved November 6, 2016.
Retrieved November 6, 2016.
Retrieved January 10, 2018.
Retrieved January 10, 2018.
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Sony Music Entertainment Japan.
Retrieved January 20, 2018.
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